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Home » Applications & Technologies » Audio Applications Electronics
Applications & Technologies
Amplifiers
Audio Amplifiers

 If you’re working strictly with low-level analog audio, making it louder is straightforward. It’s only when you need to make it a lot louder or do some signal processing—converting the signal from analog to digital and back again—that things start to get interesting.

Class A amplifiers are simple analog gain stages that when operated short of clipping are highly linear, if also highly inefficient. Class B amplifiers amplify only half of the input waveform, but when implemented by matched transistors in a push-pull configuration, this arrangement is much more efficient than Class A; however, watch out for crossover distortion when the input signal changes polarity. Class AB amplifiers eliminate crossover distortion by not completely turning off the non-conducting transistor in a complementary pair, trading off efficiency for linearity. While Class A and B amplifiers provide voltage amplification, a Class AB audio output stage provides current amplification, requiring a blocking capacitor to prevent DC from reaching the load. In all three cases, negative feedback stabilizes the output and helps maintain linear response.

» View Audio Amplifiers

Audio & Video Connectors
Audio & Video Connectors

When transmitting audio or video signals over any distance the connectors are potentially the most fragile part of the signal path. Paying attention to these seemingly mundane devices can pay major dividends in terms of signal integrity and product reliability.

» View Male Phone Connectors

» View Female Phone Connectors

» View Loudspeaker Connectors

» View Male XLR Connectors

» View Female XLR Connectors

» View HDMI, Displayport & DVI Connectors

» View RCA Phono Connectors

» View DIN Connectors

» View Patch Panels

Data Converters
Audio Data Converters

If you want to do anything more with audio than just amplify it you must first sample and quantize it; the amount of information you can afford to lose dictates the sampling frequency, number of bits, and type of analog filtering needed to convert between analog and digital domains. There are numerous different types of data converters, but the key specs to compare in audio applications are their resolution, bandwidth—primarily determined by their sampling ratio—and signal to noise ratio (SNR).

High fidelity music (5 Hz to 20 kHz) is generally sampled at 44.1 kHz with 16-bit precision for a data rate of 706 kb per second. Telephone quality speech (200 Hz to 3.2 kHz) can be sampled at 8 kHz with 12 bit precision for a data rate of 96 kb per second, though an 8-bit ADC can reduce this to 64 kb per second using companding. Further compressing audio data using DSP speech compression reduces the voice quality but can also reduce the data rate to 4 kb per second.

» View Audio A/D Converters

» View Audio D/A Converters

» View Audio CODECS

» View Audio Sample Rate Converters

Development Tools
Audio Development Tools

Evaluation boards let you quickly determine just how well the audio processor that looked good on the datasheet will perform in your pending design. Full development kits go even further and include a wide range of onboard peripherals, plus application programming interfaces (APIs), reference designs, firmware, software libraries, sample source code, user interfaces, and a serial or USB connection to connect the development kit hardware to a PC host. With a development board you can quickly prototype, test, and debug your design, eliminating the time and cost involved in developing a series of prototype boards. Development boards typically come with either an onboard debugger or a separate debugger and an onboard debug interface. Check the software library for functions and filters that can be useful in audio applications—they can save a good deal of programming time and effort.

Inexpensive evaluation boards and modules can sometimes be incorporated directly into finished products when time is short. Full development kits pay for themselves (and more) in terms of shortened development time and avoidance of errors in the design process.

» View Audio IC Development Tools

Indication & Alert
Indication & Alert

When an event occurs that requires attention there are two ways to generate an alert: sight and sound. Usually an LED lights up and an audible alarm sounds. The audio alert can be anything from the buzzer on a cell phone to a resonant voice that announces, “I’m sorry Dave, I’m afraid I can’t do that.”

Audio alert devices are simple electromechanical transducers that span a tremendous range of technologies (buzzers, horns, strobes, sirens, tone generators), tones (chirps, chimes, beeps, whoops, and warbles), frequencies (6.3-9100 Hz), volumes (6-127 dB), and voltage ratings (0.1-220V). With so many audio indicators, there is bound to be an appropriate device available for any given application.

Product selection is very much application driven. How loud does it need to be? How immediate is the need for attention? A buzzer may be sufficient to alert the person in the next room that the dryer load is finished; but a smoke detector will need to issue a piercing alarm. When an event occurs that requires attention and it’s not safe to assume that someone will quickly see a visual alert, an audio alert or alarm should be a required part of the system design.

» View Indication & Alert Products

Microphone Preamplifier ICs
Microphone Preamplifier ICs

Amplifying the output from a microphone enough to fill a large auditorium requires a great deal of gain. In order to obtain the best possible signal-to-noise ratio (SNR) it’s imperative to amplify the microphone’s output as quickly and cleanly as possible. If you start with a noisy signal, no amount of downstream filtering will give you a satisfactory result.

Microphones are acoustic transducers that covert mechanical vibrations—in this case those traveling through the air—into electrical signals. There are a lot of ways to accomplish this transformation. Dynamic microphones rely on a thin metalized diaphragm moving in a magnetic field to generate a signal. Dynamic microphones are inexpensive, durable, and give high output. Loudspeakers work on the same principle as dynamic microphones, only in reverse.

» View Microphones

» View MEMS Microphones

» View Microphone Preamplifiers ICs

Potentiometers, Trimmers & Rheostats
Audio Potentiometers, Trimmers & Rheostats

Potentiometers (Pots) are variable resistance devices commonly used as the interface to control various features in audio products. They are simple but important devices that allow you to dial in the desired amount of resistance which may affect volume, tone or other aspects of the audio signal. Typically pots are analog devices but digital pots that mimic the behavior of their analog counterparts are also available. Potentiometers come in rotary or slide panel packages with various sizes, shaft configurations and tapers, and can be found in products designed for the pro audio, consumer, portable and automotive markets.

» View Audio Potentiometers, Trimmers & Rheostats

Processors
Audio Processors

Audio signals almost invariably require processing, whether to filter out noise, remove echoes, reduce distortion, optimize frequency response, or compress them for transmission or storage. Audio signal processors offer a variety of tools to assist in optimizing sound for audibility, intelligibility, and fidelity. In commercial audio applications, audio signal processors are typically employed within or just after the mixing stage, but before amplification.

Audio signal processors generally fall into one of two categories: Audio SoCs—integrating multiple digital audio management features into a single, complex package—and audio DSPs, which range from hardware implementations of specific codecs to fully programmable DSPs. Audio DSPs are available with a wide range of features, so you can select the feature set to match design requirements.

» View Audio SoC's

» View Audio DSPs

Speakers & Transducers
Speakers & Transducers

Speakers are electromechanical transducers that convert an audio signal to audible sound, the opposite of microphones, with which they share many of the same characteristics. Like microphones, there different types of speakers.

The smallest speakers, if you can call them that, are the electret transducers used in hearing aids. Marvels of miniaturization, they include an electret microphone, programmable DSP processor, audio amplifier, and electret audio output device, all of which must work for days off a tiny zinc-air battery. The electret transducer makes that possible. Earbuds are the next step up in size, but they don’t face the same power constraints as hearing aids. They’re typically dynamic speakers, with a very small coil attached to a moving diaphragm. Larger headphones use the same design, though high-end ones may use electrostatic drivers that are essentially condenser microphones in reverse, with an electrically charged plate suspended between two perforated metal electrodes to which the audio signal is applied. Electrostatic speakers are more linear than moving coil designs and produce very crisp sound. The downside is they require a relatively high voltage power supply and they can’t move enough air to reproduce low frequencies well.

» View Speakers & Transducers

Transformer
Audio Transformer

While digital designers aren’t used to seeing transformers, they’re very useful in audio applications for isolation and impedance matching, both of which can be accomplished at the same time. Audio power amplifiers connect to 8-ohm loads, which is far lower than the output impedance of the amplifier. An output transformer matches the impedances and isolates the speaker from the amplifier’s collector or plate voltage.

When evaluating audio transformers it’s important to consider the impedance, power rating, isolation voltage, and frequency range. If the transformer will be operated near an RF or other EMI source, shielding may be necessary. Shielding shouldn’t be an issue with a low-impedance audio output transformer, but it definitely could be with a transformer feeding a high-impedance, high-gain input stage; in that case the transformer should be placed as close to the input jack as possible and far away from noise-emitting sources, for which its windings could act like an antenna.

» View Audio Transformers

Transmitters, Receivers, Transceivers
Transmitters, Receivers, Transceivers

Analog audio can move readily from a microphone to an amplifier as long as the cable and connectors are shielded and in good repair. But audio that needs to travel to a remote site with some distance needs to be digitized, encoded, transmitted, decoded, and converted back to analog at the far end. The audio transmitter accepts audio, channel status, and user data, which is then multiplexed, encoded, and driven onto a cable; at the receiving end the audio receiver does the reverse. This is clearly a more complicated task than moving analog sound a few feet over a microphone cord.

Digital audio is rarely transmitted raw—it’s always compressed and later decompressed by a codec. The choice of codec depends on how much signal loss can be tolerated due to compression and how noisy the signal path is liable to be. Audio transmitters usually contain ADCs and hardware-based codecs; receivers are just the reverse; and transceivers contain the essential elements of both.

» View Audio Transmitters, Receivers, Transceivers

Test Equipment
Test Equipment

Several types of test equipment can be used to capture and measure audio signals. The simplest test involves putting a single audio tone (usually 1 kHz) through the audio system and measuring the output with an oscilloscope and distortion analyzer, determining the acceptable input level before achieving an unacceptable level of total harmonic distortion (THD), which usually occurs just before clipping. Sweeping the input frequency will indicate the system’s bandwidth (+/- 3 dB).

Specialized audio signal generators can generate signals ranging from a short impulse, a burst, or a continuous signal. The signal can be a standard shape (pulse, ramp, sine wave, etc.), a sweep of frequencies, a controlled amount of noise, or an arbitrary waveform.

» View Audio & Video Test Equipment

Replacement Parts

VINTAGE AMPLIFIER

Block Diagrams

NOISE CANCELLATION

WIRELESS HEADPHONES

GUITAR WIRING

SOUNDBAR

Learn More About the TI TAS5548/58
TI TAS5548/58 8-Channel
HD Audio Processors

Texas Instruments' TAS5548 and TAS5558 are HD-compatible digital audio processors with 8-ch PWMs and sample rate converters that provide both advanced performance and a high level of system integration.
Learn More About the TI TAS5548/58
Learn More About the Neutrik NP2X-AU-SILENT
Neutrik NP2X-AU-SILENT
1/4" silentPLUG

The silentPLUG automatically mutes (shorts) an instrument cable to avoid pops and squeals when changing the instrument under load. An integrated silent switch, based on REED-technology, also guarantees beyond 10,000 mating cycles.
Learn More About the Neutrik NP2X-AU-SILENT
Learn More About ADI SigmaDSP Digital Audio Processors
ADI SigmaDSP Digital
Audio Processors

The ADAU1452 is an automotive-qualified, fully programmable DSP for enhanced sound processing. SigmaDSPs include a SigmaStudio tool that allows engineers with no DSP coding experience to easily implement a DSP like an expert.
Learn More About ADI SigmaDSP Digital Audio Processors
Learn More About Switchcraft XLR Connectors
Switchcraft XLR
Connectors

Switchcraft XLR connectors, in standard or mini-plugs and receptacles, are 3-7 contact connectors with electrically integrated ground terminals with silver- or gold-plated contacts, and nickel, black or satin finish housings.
Learn More About Switchcraft XLR Connectors
Learn More About the Cirrus Logic CS53L30
Cirrus Logic CS53L30
A/D Converters

CS53L30 4-channel microphone analog-to-digital converters are ultra-low power, high performance, and deliver enhanced voice processing features such as noise suppression, acoustic echo cancellation, and multi-channel beam forming.
Learn More About the Cirrus Logic CS53L30
Learn More About Nichicon Audio Capacitors
Nichicon
Audio Capacitors

Nichicon offers electrolytic audio capacitors for various acoustic challenges such as high temp, high performance, smaller audio applications, and more. They are available with leaded, surface mount, and snap-in terminations.
Learn More About Nichicon Audio Capacitors
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HOW TO TEST - AUDIO
Teledyne LeCroy ArbStudio Arbitrary Waveform Generator ArbStudio combines 125 MHz bandwidth with fast 1 GS/s sample rate and 16-bit resolution to meet the needs of today’s engineers with uncompromised performance and a wide variety of signal types and generation modes.
 
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